It seems that Sophie Haydock may be carving a little niche for herself as a champion of women in art. Specifically women as muses and soul mates to and of artists. Egon Schiele’s muses were the focus for The Flames and here, I think the title gives it away, the wife of Henri Matisse dominates much of the narrative, along with Lydia Delectorskaya and Marguerite, Matisse’s daughter from his first marriage.
Each woman is given a voice in this latest imagining and Haydock skilfully guides us through the tangle of these women’s lives and their relationships to and with Matisse.
And whilst Amelie and Henri are not quite Sharon and Ozzy it is apparent how large a part she played in his career. All the women have their own kind of strength palpably depicted by Sophie Haydock. I always think the mark of good historical fiction is where the reader goes scuttling off to research further because the story has piqued their interest. I became fascinated by these women, particularly Amelie and Lydia and was keen to read more about them, and after some googling to see photos too, which gave me another dimension.
But I would not have done that if Sophie Haydock’s story was not so beautifully written and so thoroughly researched. That period in art comes alive with all the vibrancy of Matisse’s palette and the reader is transported into the very fabric of their lives and becomes invested in all of them. She highlights their rivalries objectively and accurately one feels, the fusing of fact and fiction is seamless, immersive and completely believable. And the writing is as colourful as the paintings being described.
One also gets a flavour of the life of an artist in 1930’s France and the context within which Matisse lived and worked. A most enjoyable read.
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